Post 15 - Editing

 - Lots of cross cutting as the film is mostly naturalistic and features dialogue. In the scene between Aaron and Alex, it cross cuts between the two of them as they speak. 

- Smash cut when Aaron wakes up from his nightmare. It cuts from a black screen with a quiet voiceover to Aaron suddenly waking up, afraid and breathing heavily. This creates a contrast from the dream and we see how much he is haunted by guilt. 

- Match cut when Aaron is looking at a photograph to the scene coming to life, the action matching the still image and continuing from that. Aaron and Leo are laughing together and then we cut to the flashback of them laughing together as Aaron remembers it. 

- Match on action when Aaron roles over in bed to face the ceiling, he is on his side and then it's a continuous motion as he turns to face up, the camera moving from the side to above. We can see his facial expressions clearly. 

- Jump cut between Aaron happy and dancing to him crying on the floor. It's a sudden contrast, hard hitting like the impact of the guilt. 

- J cut when Aaron is on the floor listening to Leo's voicemail. We hear the voicemail at the end on the previous shot and then it cuts to Aaron and his phone. 


Comments

Post a Comment

Popular posts from this blog

The Ellington Kid

Narrative Equilibrium – Two boys are sitting in a café, one has a burger, the other just has chips. Disruption – One boy notices that the other has a burger and begins to tell him the story. Recognition – The boy realises that the other is implying that the boy who got stabbed the other day is in the burger. Attempts to Repair – He spits the burger out. New Equilibrium – He tells him it was just a joke, but the camera pans to a worker who is sharpening knives and has a smirk on his face, leaving the audience to decide for themselves if it was true or not.  The boy who was stabbed is the princess as he is the one who needs saving. The villains are the boys who stab him and come to finish him off. It may seem like the café workers are the heroes at first, but it turns out that they may also be the villains as well.  Lighting The café needs to be lit as that is the reason the boy goes in, as he knows there...
Read more

Operator

Narrative   Equilibrium – A lady works as an emergency operator. Disruption – She gets a call. Recognition – She learns there is a fire in someone’s house. Attempts to Repair – She calms the woman down and instructs her on what to do whilst telling the fire department where she is. New Equilibrium – The lady is safe and she moves onto the next caller. Gemma is the damsel in distress, trapped by the fire and in need of saving. The operator is the hero, helping her to safety. The fire is the villain.  Lighting The light is created by the computers on the operator’s desk and a small lamp. This creates both a calming contrast to the terrifying situations that they have to navigate, but also creates an ominous glow. It makes it seem like an interrogation light, adding pressure onto the operator, signifying that it is all down to her to save this woman and her child.  Costume, Hair and Makeup ...
Read more

Mark Kermode - Rom Coms

1. Which episode of Mark Kermode Secrets of Cinema did you watch? Rom Coms  2. Apply Daniel Chandler's theory of conventions of content to this genre. 3. What ideas does Kermode discuss in this documentary? - The couple will meet in a way that makes them remember each other, known as the 'meet cute'  - There will usually be a partner or person that stands in the way of the couple being together - Near the third act, the couple will usually break up or have a rocky patch - Traditionally, the rom com was boy meets girl, but has evolved over the years to things like boy meets boy, girl meets girl, girl meets fish, boy meets fish - At the end, the couple will usually face a decision as to whether they stay with the other person, and then we get the classic running across town or through an airport scene - Usually, they are lighthearted and fun, but occasionally they can be quite dark - The theme of death is often very present - Musical numbers and dream sequences ...
Read more